Guest blog from Sophia Grace
With global sales running into tens of millions, Fifty Shades of Grey and its two sequels by EL James are not so much books as a publishing phenomenon.
Why have these
books been so successful?
For a start,
they follow a tried and tested formula straight out of Mills & Boon: take
one slightly clumsy, socially inept, plain and
virginal girl and one cool, handsome, incredibly rich and
powerful young man – put them together and eventually, despite trials
and tribulations (you guessed it), it all works out.
The novelty in EL James’
books is a fairly explicit eroticism. This is of a very
feminine kind: despite ‘gentle’ sadism and bondage being
major themes there is little sense of genuine threat and the
encounters are (rather tiresomely) always orgasmic.
It is interesting that there are also limits to the
sexual practices: the author is clearly aware of not just what turns
women on but also what turns them off. The fact
that these books were simultaneously published in digital format and can
be bought and read in secret also helped to drive sales.
The sexual
nature of these books has aroused a storm of criticism in Christian
circles and the eroticism is certainly problematic. Yet deciding where
acceptable boundaries lie in this area is very difficult; after
all, throughout history the Church has frequently found Song of
Songs to be too hot to handle. Yet at the risk of sounding
puritanical and even legalistic, I don’t think these are books for
singles.
However, the
issues of sex disguise deeper, more subtle and possibly more dangerous
problems and they also present a challenge to women. These books
are sheer fantasy; indeed there are Pixar cartoons that
offer a greater sense of realism. The real world, dear
readers, is not like this.
If you are
waiting for a similar Mr Right (did I mention his helicopter?) you
may be waiting a very long time. Once more we get the myth that
all you really need in a good relationship is lots and lots of sex.
Another
desperately dangerous idea is that sadism is
pleasurable. Frankly, if any man starts to suggest that he’d
like to tie you up and beat you, get out very quickly; possibly passing
the local police station on the way home. There is also a
disheartening materialism present throughout the books:
a ‘possessions-pornography’ of things and
brands that repeats another lie: that wealth and power are
ultimately significant.
My biggest
complaint, though, is simply that I find the theme of a woman’s submission
to a dominant man extraordinarily depressing. Is this where women’s
rights have brought us? There is a tragic irony here that
although some feminists have labelled Christianity as male-dominated and
oppressive to women, what our post-Christian society is producing
looks infinitely worse. These books fly in the face of everything
that this magazine stands for: give me Liberti not
bondage.
Have you read it? Tell us what you think. You can read more about
this 'literary' phenomenon in the upcoming issue of Liberti magazine.